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  Yet Klee and decisive opinions didn’t really go together. At the Bauhaus, that great crucible of the modern spirit, where he taught from 1921 to 1931, with its continual infighting between technocrats, mystics and ideologues, he played the role of watchful fence-sitter. His response to conflict was to “turn away from this world” and lock his studio door. The artist Hugo Ball observed that, “in an age of the colossus, Klee falls in love with a green leaf, a star, a butterfly’s wing. I know of no man more in touch with his inspiration than Paul Klee.”
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Sie können uns mit einem kleinen Beitrag aktiv unterstützen. Weiterhin suchen wir auch zukünftig Wissenschaftler, die an einer Mitarbeit bei diesem Projekt interessiert sind. Hier können Sie einfach eine Mail an Martin Heidingsfelder heidingsfelder@vroniplag.de senden. Wir beraten Sie selbstverständlich im Hinblick auf Texte, Quellen, Softwaretools und bei der Recherche. Melden Sie sich doch einfach bei uns.